Journal of Digital Media Arts and Practice
International Digital Media + Arts Association
The case of Myron Krueger and Jeffrey Shaw epitomizes the paradigm of creative experience near the end of the twentieth century. They survived the grasp of particular dogmas provided by trends such as conceptualism or positions preconizing dematerialization in visual art. This paper analyzes the installation of Krueger’s "Videoplace" and Jeffrey Shaw’s immersive environment "The Legible City” from a phenomenological approach.
My proposal is seeking to demonstrate how an "artificial computational environment” that configures a complex sensed spatiality is not purely physical or material, addressing also the significance of the body as a cooperative interface for interactive phenomenological “experiences.”
Game Design | Interactive Arts | Interdisciplinary Arts and Media
Andres R. Montenegro (2015).
Two Phenomenological Notions as Expressed in the Interactive Art Contained within Myron Krueger and Jeffrey Shaw's Immersive Environment. Journal of Digital Media Arts and Practice.11 ed.11 (1), 33-40. International Digital Media + Arts Association.